Brigid Bench

The Brigid Bench brings together the permanence of volcanic stone with the tactile softness of Pony leather. Named after the Celtic goddess of fire, poetry, and healing, it considers the domestic as a sacred site for pause, comfort, and presence. Its softened geometry and contrasting materials hold opposites together: rough and smooth, warmth and mass, monumentality and intimacy.

Ikal Stool

Crafted from ebonized walnut and black cowhide, the Ikal Stool explores movement as a visual language shared across cultures and time. Its looping legs draw together European meander patterns and the geometric fretwork of Mesoamerican architecture, where continuous lines and spiraling forms suggest rhythm, breath, serpentine motion, and the flow between worlds. The result is a stool balanced between sculpture and companion.

Jinete Seat

The Jinete Seat draws inspiration from two enduring traditions: The carved stone metates of Mesoamerica and the saddle as an object of movement, labor, and ritual. Sculpted from solid volcanic stone, its form balances monumentality with intimacy, creating a seat that feels equally at home as functional furniture and sculptural object.

Umbral Shelf

The Umbral Shelf is a fragment of architecture transformed into a domestic object - part Gothic spire, part Art Deco proscenium, part Mexican ofrenda. Mirror, shelf, and lantern converge around a vertical opening where reflection and illumination meet. By day it holds the small objects that make a space personal; by night it becomes a standing light, casting shadows and turning the room into a quiet stage.

Umbral Table

The Umbral Table is carved from volcanic stone, its stepped base recalling the foundations of ancient temples. Stainless steel inlays cut through the dark surface like lines of light, creating a tension between heaviness and openness. Monumental yet familiar, the table acts as a quiet altar for daily life - a place for meals, gathering, and reflection where archaic forms meet contemporary rituals.

Umbral Altar

The Umbral Altar reimagines the standing stone as a piece of contemporary furniture. Inspired by Pre-Columbian pyramids and European menhirs - monuments that marked thresholds, gathering, and passage - it combines volcanic rock with precise stainless steel joinery. Sculptural yet adaptable, the console can transform into stools and a table base, holding both the permanence of stone and the possibility of movement.

Cabrakan

Named after the Mayan deity of earthquakes and movement, the Cabrakan Table explores tension between weight and motion. Its stainless steel surface appears to float above a monolithic stone base, creating a moment of levitation and balance. Hand-carved using Pre-Columbian stone masonry techniques alongside modern machinery, the table brings together the sacred, industrial, and everyday in a single sculptural form.

Kuaku Seat

Kuaku is a study in strength, posture, and restraint. Its elongated stone base draws from the architecture of Mesoamerican pyramids while its profile evokes the commanding head of a bull. A leather seat introduces warmth and tactility to the monumental form, creating a chair that feels poised between furniture and sculpture.

Tlaloc Table

Named after the Mesoamerican deity of rain and fertility, the Tlaloc Table explores cycles of abundance, ritual, and gathering. Its circular stainless steel top rests above a hand-chiseled stone base, creating a dialogue between celestial lightness and ancient weight. Inspired by ceremonial stone rings and portals, the table transforms a form associated with ritual into an elemental surface for everyday life.